摘要
作为视觉文化概念的最早提出者,巴拉兹是从精神可见性的角度来提出其视觉文化概念的,其视觉文化范型不是"可见的人",而是"可见的精神"。这一范型触及视觉文化发展的诸多深层次问题,具有先见之明,但因时代和个人局限,它存在诸多不足之处,主要是过于强调视觉文化的政治意识形态属性。
As the earliest presenter of the concept of visual culture, Balazs puts forward his concept of visual culture and constructs his film aesthetics from the angle of the spirit visibility. " Visible spirit" is the paradigm of the visual culture. Touching many deep -level problems in the development of visual culture, this paradigm has both the foresight and weaknesses because of time and personal limitations. The main weakness consists in its overemphasis on the political ideological property.
出处
《绍兴文理学院学报》
2015年第4期46-49,共4页
Journal of Shaoxing University