戴厚英《人啊,人!》的文体选择与文学反思

The Style Selection and Literature Retrospection of Dai Houying's Man,Oh Man

新时期初,作家们在题材选取、主题表达、价值立场等方面整齐划一地恪守着十七年时期盛行的政治文化思维模式。作为人道主义文学宣言的长篇小说《人啊,人!》,则在恪守与突破政治文化规约之间凸显出一定的文体革新意识。结合新时期初政治文化语境下长篇反思小说的集体式创作概况,本文从《人啊,人!》章节并置、叙述者并置、情节并置以及作家的人生际遇、创作心理、审美追求等方面发掘作品突出的文体探索实绩及成因,重点反思作品的文体探索价值与事实上不关乎文学的各种冷遇成因,从文学视角重构其在中国当代文学史上的文体价值。

At the beginning of the New Period, writers almost unanimously adhered on the thinking mode of the politic - culture of the 17 years in terms of subject selection, themes, values etc. As the declaration of humanistic literature, Dai Houying＇ s full length novel Man, Oh Man demonstrates certain innovation in breaking the politic - cultural conventions. Combining with the reflection of the general situation of the collective creation of full length novels at the early stage of the New Period, this paper probes into the reason of the achievement in Man, Oh Man from various aspects such as the juxtaposing of chapters, narrators, plots, as well as the author＇s life experiences, creating psychology, aesthetic pursue, etc. , focusing on its value in style innovation and its disesteem which is not related to literature, in order to reconstruct its style value in the history of contemporary literature.