摘要
题跋记叙功能的形成可上溯到唐代,但定型至少要到宋代元祐时期。两宋记叙性题跋各有特点,或涉笔成趣,或融情于事。从叙事角度而言,作者常常用描摹、追忆、联想和想象等表现手法,以还原事件,再现场景,拓展记叙空间,达到了文约而事丰的境界;从记人角度而言,作者或者叙议结合,或者通过细节化描写,以凸现人物个性。由蓄意带来的艺术效果,形成了记叙性题跋的重要文学特征,成为后代题跋创作的重要范式。
The narrative function of inscriptions appeared in the Tang Dynasty, but it was fixed in the Yuanyou period of the Northern Song Dynasty. The narrative inscriptions of the Northern and Southern Song Dynasties have different features, and there are a number of distinctive literary masterpieces. Description, memory, association, imagination and other methods were often used to record the events, reconstruct the scenes and expand the narrative space. Meanwhile, the details of language, appearance, posture and action were also added to make the characters more vivid. The characteristic of narrative inscriptions of Song Dynasty finally became an important paradigm for the later writers.
出处
《南京师范大学文学院学报》
CSSCI
2015年第3期53-57,共5页
Journal of School of Chinese Language and Culture Nanjing Normal University
基金
2013年国家社科一般项目<中国古代题跋文学研究>(课题批准号:13BZW095)阶段性成果
关键词
题跋
宋代
文学特征
艺术技巧
inscription i SongDynasty
literary characteristic
art skill