摘要
在中国电影发展历史中,导演费穆对中国戏曲电影化以及中国电影民族化进程有着突出的贡献。他通过蒙太奇、镜头变换、电影美工、场面调度等一系列手段实现影像表达,将戏曲和电影这两种不同形态的艺术相融合。把古典戏曲中国人对美的追求有选择地保留在电影当中,借用电影媒介创作出独特的富有中国韵味的戏曲电影。
In the development of Chinese films, director Fei Mu has made outstanding contributions to making Chinese operas cinematic as well as to nationalizing Chinese movies. Through montage, transformation of lens, art designing, sense control and other series of methods, he integrates the two different art forms of operas and movies. Moreover, he makes a selective detainment in classical operas in pursuit of beauty of Chinese people. By using movie media, he creates unique opera films with Chinese characteristics.
出处
《中南大学学报(社会科学版)》
CSSCI
2015年第4期192-196,共5页
Journal of Central South University:Social Sciences
关键词
费穆
戏曲电影
民族化
意境美
Fei Mu
opera films
nationalization
artistic conception of beauty