符号美学视域下青海藏面具艺术审美探微

Probing into the Aesthetic of Tibetan Mask Art of Qinghai from the Perspectives of Semiotic Aesthetics

青海藏面具艺术是藏传佛教艺术的典型代表。本文以索绪尔的符号学理论为基础,结合苏珊·朗格美学思想,对藏面具符号要素进行分析,阐释了青海藏面具的形式美、幻象美、意蕴美三个主要审美特征,并将藏面具置入藏传佛教的文化语境中,进一步揭示了藏面具艺术审美的核心价值是民族情感和宗教生命意识。

Tibeten mask art of Qinghai is a typical representative of Tibetan Buddhism art.This article is based on Saussure＇s semiotics theory.Combined with Susan Langer＇s aesthetics thought,it explains three main aesthetic characteristics of Qinghai Tibetan mask—＂beauty of form＂,＂beauty of illusion＂and＂beauty of impliaction＂by analysing the symbol elements of Tibeten mask.In addition,it places the mask into the context of Tibetan Buddhist cultural,and says more about the core aesthetic value of Tibetan mask art,which is national sentiment and religious life consciousness.