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论绘画语言中的色彩修辞 被引量:1

On Color Rhetoric in Painting Language
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摘要 在绘画语言中,色彩氛围是依靠色彩的对比和夸张以及色彩所呈现的象征意义来决定的。绘画色彩氛围的营造需要画家在参照表达客观对象的同时进行主观用色。然而,画家主观用色的过程其实就是绘画修辞设置的过程,因为色彩中恰当的修辞设置能够有效表达创作者的创作意图,释放作者的情感和观念。由于色彩在创作中的修辞运用能够使作品传达出不同的心理感受,许多艺术家在创作中自觉地运用各种色彩修辞手段,通过修辞设置能够增强色彩的视觉效果,加强色彩的氛围象征,从而强化了作品所要表达的情感和观念,使作品最大限度地与观者达成共鸣。 In the painting language, the color atmosphere relies on color contrast and color exaggeration and symbol meaning that the color presents .Creating color atmosphere of a painting requires the painter colors subjectively while expresses objective objects referring the creators to the need. However, the process of the artist's subjective use of color is actually a process of painting rhetorical settings, because the appropriate rhet- oric expression in the color setting can effectively render the creative intent of the painter and release the au- thor's feelings and ideas. As the rhetoric utilization of color can make use of the works to convey different psychological feelings, so many artists consciously use a variety of color rhetorical means in the creation so that make the works can reach and resonate the audience in maximum. Therefore, the rhetoric setting of the color becomes one of the effective means for painter to create a color atmosphere, and show the author's cre- ative intent. Because the use of color in the creation of rhetoric can make the works convey different feelings, many artists consciously use various rhetorical means, which can enhance the visual effect of color, and en- hance color atmosphere symbol by rhetorical setting, thereby strengthening the works to express feelings and ideas, so that the works can resonate with their views to a large extent.
作者 韦宗强
出处 《六盘水师范学院学报》 2015年第5期40-43,共4页 Journal of Liupanshui Normal University
关键词 绘画语言 色彩 修辞 高更 里希特 rhetoric Gauguin painting language Richter
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  • 1H·H·阿纳森.西方现代艺术史[M].天津:天津人民美术出版社,1994.
  • 2[美].鲁道夫阿恩海姆.艺术与视知觉[M].北京:中国社会科学出版社,1984.
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