化静为动,动静结合——丰子恺漫画中的蒙太奇思维及美学意义探微

Transform Stillness into Dynamism so as to Blend the Two——An Exploration of the Montage Thinking in Feng Zi-kai's Comics and its Aesthetic Significance

化静为动,动静结合,指漫画家或读者运用蒙太奇思维,重新审视漫画创作、漫画作品和漫画欣赏三重纬度,赋予二维空间内的静态漫画具有诉说和表达某种深刻内涵的艺术效果,使漫画在有限的空间内承载着无限的希冀。通过运用电影学和美学的基本理论,可具体阐释蒙太奇视野下的丰子恺漫画采用构图、留白、边框和意象等基本创作手段,在漫画欣赏者层面则运用接受美学原理,实现丰子恺漫画的美学意义。

Transforming stillness into dynamism so as to blend the two requires the cartoonist or reader to employ the mon- tage thinking to reconsider the three dimensions of comics creation, comics products and comics appreciation and endow the still two-dimensional comics with an artistic power to convey a deep significance, thus enabling them to contain infinite pos- sibilities in limited space. By taking advantage of the basic theories of film criticism and aesthetics, this paper attempts to explain how, with a montage vision, common devices such as overall composition, the deliberate leaving of blank space, frames and images are put to use in Feng Zikai＇s comics and how the aesthetic significance of his comics is realized on the level of reception aesthetics as far as the readers of the comics are concerned.