摘要
余怒诗歌在语言本体意识中不断探索当代诗歌的发展,融合现代的都市、乡土经验,不断进行自我的形而上学的追问与探索;利用现代西方的表现技巧,从语言处入手,最终又与思想交融,进行了魔幻现实主义、超验主义、超现实主义等话语实践,使得他成为20世纪90年代诗歌书写中不可复制的一个重要个案,他的重心呈现都市经验与语言本体意义的诗意创造。
By integrating modern urban and rural experiences, YU Nu’ s poems constantly explore modern poetic development with linguistic ontological consciousness, metaphysically questioning and probing into his self.By making use of modern western expressive skills, YU Nu starts from language, and ends in mentality fusion, committing himself to various discourse practices, including magic realism, transcendentalism, surrealism and so on.By focusing on poetical presentation of urban experience and linguistic ontology significance, he already becomes an irreplaceable figure in 1990s’ poetic composition.
出处
《南京理工大学学报(社会科学版)》
2015年第4期1-7,共7页
Journal of Nanjing University of Science and Technology:Social Sciences
关键词
现代诗
90年代诗歌
身体书写
余怒
poetry in the 1990s
language
transcendentalism
bodily writing