南社人“捧角”中的戏曲现代性因子

Modern Elements in Traditional Operas by Nanshe Members' Actor Extoling Practice

南社对晚清戏曲界的影响除了来自南社成员发表的理论主张和艺术实践,还来自他们把"捧角"作为倡导政治革命和戏曲改良的手段。本文根据史料对南社成员捧京剧演员冯春航这一事实作了新的解读,分析、论述了其中蕴含的戏曲现代性因子,这些因子对中国现代戏曲的自我确立意义深远。

Nanshe’ s influences in traditional operas of late Qing Dynasty come from their theoretical proposition and artistic stage practice, together with their actor extolling practice as a means to advocate political revolution and opera innovation.Based on historical documentaries, this paper re-interprets Nanshe members’ extolling Peking Opera actor FENG Chunhang.It argues that modern elements of traditional operas are hereby conceived, which is of great significance for the self-establishment of mod-ern Chines operas.