二十世纪三十年代前期中国漫画新闻刊物中的国家认同及其建构研究——以《上海漫画》(1936.5-1936.6)为例

National Identity and Construction in Chinese Comic News Publications of Early 1930s——Shanghai Sketch( 1936. 5-1936. 6) as A Case in Point

国家认同是公民与其所属的国别身份建立心理联系的过程,是现代民族国家增强凝聚力和向心力的重要任务之一。在这一过程中,大众传播媒介是进行国家认同的主要渠道和载体。1936年5月创办的《上海漫画》作为当时中国漫坛的最重要刊物之一,在民族危机日重的时期,自觉地把唤起民众的觉醒作为"美术救国"的活动中心,通过具象的艺术语言和表达方式,以民族和国家的观念作为刊物的叙述中心,传播现代民族和国家的观念,使读者获得与国家的一体感,为其后全面抗日战争的展开进行了充分的舆论动员工作。

National identification is a process through which citizens create a mental contact with the national identity they belong to.It is one of the important tasks of modern nations and states to enhance this cohesion and centripetal force.Mass media is the main channel and carrier of national identification in this process.Inaugurated in May 1936, Shanghai Sketch was one of the most important publications in the comic circle at that time.With the ever increasing national crisis, it voluntarily transferred the rai-sing of people’ s national awareness to its focus of “national salvation through arts”.With figuratively artistic language and ex-pressions, it took the concepts of people and nation as narration themes, whose propagation enabled readers to develop identifica-tion with their nation and state.These efforts greatly mobilized public opinions for the following full-scale Anti-Japanese War.