摘要
极小说俗称小小说,它是一种体裁,也是一种题材,譬如一个段子、一则笑话。劳马极小说的第一个关键词必定是幽默,而幽默不仅是方法,还与源远流长的喜剧有解不开的因缘。这是因为早在幽默作为名词、概念或方法出现之前,喜剧已经产生了。但问题是喜剧被普遍认可却是晚近之事,即文艺复兴运动以降。随着市民文化的崛起,喜剧成为重要文艺景象,及至快餐式文化消费主义甚嚣尘上。从喜剧和大众消费文化的角度探讨劳马极小说可以窥见其基本特征。
Flash fiction,also known as miniature story,is a kind of style as well as a theme,such as a jesting segment,or a joke.The first key word for Lao Ma' s flash fiction must be 'humor,' which is not only a method,but inseparably related to long-standing traditions of comedy.Before the emergence of humor as a noun,concept or method,comedy had come into being.The problem is,however,the universal recognition of comedy was a recent phenomenon,that is,with the emergence of civic culture since the Renaissance,comedy has turned into an important literary sight,and fast-food culture as a kind of consumerism has become clamorous.The discourse about Lao Ma' s flash fiction from the perspective of comedy and mass consumer culture can reveal some of its fundamental characteristics.
出处
《中国文学批评》
2015年第1期49-56,共8页
Chinese Journal of Literary Criticism
