摘要
1911年8月,为赈济江苏安徽水灾而发起的张园慈善助赈会,因其形式的开放、西化被斥为"伤风败俗",引发了《申报》对华洋义赈会及会长沈敦和的反感与批判。对小说《助娠会》的解读,使助赈这个话题的相关新闻舆论及《自由谈》的副刊文章在互相召唤中,逐渐呈现出暗示、引用、影射、共现等互文关系特征。同时,沈敦和的正面与负面形象间存在的张力也体现了新闻舆论的多元建构及自我矛盾。而其时有关华洋义赈会、红十字会的讨论更带来一个多声、论辩、回应、调整等立体复杂的对话关系和批评空间。晚清的传播空间,在新闻与谐文的互文与对话关系中,游戏笔墨的肆无忌惮起到了推波助澜的作用。文本之间的互文性及对话关系能够使批评空间更加具体化、更加充实,是实现文学批评功能的重要途径。
It is the new feature of the newspapers and journals to concern and interfere the news events with the means of artistic expression in Late Qing. After careful analysis of news, editorials and articles on the topic of Central China Famine Relief （1910-1911） in Shen Bao and its supplements-Ziyou Tan（free discussion）, we find that the multiple intertextuality and complex dialogue between the texts had resulted in more concrete ＂critical space＂. The satires in Ziyou Tan had played an especially encouraging role. The intertextuality and dialogue between Satire and news deserve special attention, which are also the important way in realizing the function of literary criticism.
出处
《学术月刊》
CSSCI
北大核心
2015年第9期118-126,共9页
Academic Monthly
基金
教育部人文社会科学研究青年基金项目“中国近代报刊谐文史料与文体研究”(13YJC751006)的阶段性成果
关键词
《申报》
沈敦和
谐文
新闻
互文性
Shenbao, Shen Dunhe, satires, news, intertextuality
