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2Fred Tollini, S J, Performance & Culture: The Classical World,Middle Ages and Renaissance, p.26. New York: American Heritage Custom Publishing Group, 1995.
3Luce Irigaray, Sexual Difference, in Tofil Moi, ed., French Feminist Thought: A Reader, p, 118. Oxford and New York: Basil Blackwell, 1987.
4The Norton Anthology of World Masterpieces, fourth edition, volume 1, pp.415- 49. New York and London: W W Norton & Company, 1979.
5Julia Kristeva, Women's Time, in Robyn R. Warhol and Diane Price Herndl, ed , Feminisms: an anthology of literary theory and criticism, p.449. New Brunswick, New Jersey: Rutgers University Press, 1991.
6Terry Eag]eton, Literary Theory: An Introduction, p. 189,pp. 187 - 188,p. 150. Oxford: Basil Blackwell, 1983.
7Jonathan Culler, Reading as a Woman, in On Deconstruction: Theory and Criticism after Structuralism. p.61. Ithaca: Cornell University Press, 1982.
8Brigitte Berger, Introduction to Helen Diner, Mothers and Amazons,p.xvi. New York: Anchor Books, 1973.
9Helene Cixous, Le Rite de la Meduse, L'Arc, 61. Trans. as The Laugh of the Medusa, in Robyn R. Warhol and Diane Price Herndl,ed, Feminisms: an anthology of literary theory and criticism, p.334. New Brunswich, New Jersey: Rutgers University Press, 1991.
10Toril Moi, Marginality and subversion: Julia Kristeva, in Sexual/Textual Politics : Feminist Literary Theory, p. 165, p. 170, p. 172.London and New York: Routledge, 1985.
