摘要
在中国历史上,大漆的使用已有8000年的历史,紫砂的诞生也有几百年的历史。两种物质历经了岁月的积淀,从古至今文化的熏陶,让它们独具了自身的魅力与特点。大漆与紫砂结合自古有之,有名的当属制壶大家时大彬所制紫砂胎雕漆四方壶,至今陈列在故宫博物院中,经历岁月的冲洗,至今仍显现出独特艺术的光芒。而至近代,紫砂艺术蓬勃发展,虽大放光彩,确难找紫砂漆艺的新器物。传承与创新,紫砂漆艺是否能在百花齐放的今天占有一席之地,是一个值得探讨的课题。
The use of Chinese lacquer has nearly eight thousands of years of history in China. The originor violet are also has a history hundredsof years. These two materialshave been showing unique aesthetic values and artistic charms after thousands of years'ulture influence. The waremade of Chinese lacquer andviolet arenaceousmaterial could be dated backfrom ancient times, the most famous of which is thesquare pot of purple sand bodywith carved lacquerbeing displayed in the Forbidden City. After so many years it still shows unique artistic light. In modem times, although the purple arenaceous artis flourishingit is still difficult to find new purple arenaceouslacquer artifacts. It is a subjectworth further discussion about inheritance and innovation ofviolet arenaceous lacquer art, as well asits status in modem times.
出处
《中国生漆》
2015年第2期41-44,共4页
Journal of Chinese Lacquer
基金
江苏省高等学校大学生创新训练计划项目支撑论文
项目编号14002Y
关键词
紫砂漆艺
含蓄
特色
价值
传承创新
Violet arenaceous lacquer art
implicit
feature
value
Inheritance and innovation