从多宝讲寺看藏传佛寺与汉传佛寺的建筑艺术融合

On Architectural Arts Unity of Tibetan Buddhist Temple and Chinese Buddhist Temple——A Case Study of Duo Bao Jiang Temple

三门多宝讲寺是浙江沿海唯一的藏传佛寺,呈现了汉藏合流的建筑艺术特征:整体上融合了汉寺的中轴线对称布局与藏式寺院的合院格局,重要藏式功能建筑如转经殿、藏式白塔等穿插其中又自成一体;建筑单体融合了藏式建筑的雄伟外形和汉寺建筑的细腻构件,如藏式金顶与汉寺门窗的结合,藏式边玛墙结构与汉寺色彩的融合。多宝讲寺建筑的风格,在了解汉藏佛寺建筑的历史演变、丰富台州传统建筑风格、体现地方建筑文化的包容性等方面都有重要的作用。

Duo Bao Jiang Temple in Sanmen, the only Tibetan Buddhist temple in coastal region of Zhejiang, presents architectural arts unity of Tibetan Buddhist temple and Chinese Buddhist temple. The building group are mixed middle axis symmetrical layout from Chinese Buddhist temple and court- yard from Tibetan Buddhist temple with self-contained prayer wheel hall, Tibetan white tower, etc.. The single building is blended with majestic outline and exquisite components respectively from Tibet- an Buddhist temple and Chinese Buddhist temple, such as combination of Tibetan golden peak and doors and windows in Chinese style as well as Bianma wall and Chinese colors. The architectural style of Duo Bao Jiang Temple can help understand historical evaluation of Buddhist temple, enrich Taizhou＇ s architectural style, and reflect inclusiveness of local architectural culture.