摘要
《晚祷》是坎切利"祷告"系列作品中的第3部,本文以《晚祷》作为研究对象,试图通过对这部作品在整套系列作品中的地位和作用的分析与解读,以及从旋律构成、和声语言、调式调性、音响形态和曲式结构等方面具体的技术分析,探求作曲家的宗教精神内涵及其新宗教主义音乐创作中的象征手段,从而更准确地把握作曲家的宗教哲学观念。
"Evening Prayers" is the third of Kancheli series of works. Through the analysis and interpretation on the status and role of this one in the whole series of works, and from the specific technical analysis of the melody, harmonic language, tonality, sound shape and so on, this paper regards " Evening prayers" as the research object, trying to explore the religious spirit connotation and symbolic means in the new religious music creation in order to grasp composer's religious philosophy concept accurately, the composer to thus more. Key words: "Kancheli" ; Evening prayers; chant lyrics; cyclotron principle; symbolism
出处
《皖西学院学报》
2015年第4期116-119,共4页
Journal of West Anhui University
关键词
坎切利
《晚祷》
圣咏唱词
回旋原则
象征主义
"Kancheli"
Evening prayers
chant lyrics
cyclotron principle
symbolism