2014年中国纪录片文化美学综论

Review of the Cultural Aesthetics of Chinese Documentary in 2014

2014年中国纪录片文化形态基本保持着一贯的格局:主流文化依然引领国家意识形态,中国梦成为一种创作时尚;大众文化与产业共舞,大众趣味转化为大众市场;精英文化整体退缩,但也保持了一定程度的思考。纪录片美学形态更加多元,节目形态的边缘趋于模糊,戏剧美学大行其道,技术美学为极致表达和陌生化效果提供支点,纪实美学虽非主流,却依然显示了不可替代的力量。

In 2014, in Chinese doeumentary field, mainstream cultural remains to guide national ideology, and China dream became a fashion in creation, and popular culture and industry well integrate, and popular taste transferred into popular market, and elite culture comprehensively held back. The aesthetic form of documentary became mote and more diversified, theatre aesthetics quite prevailed, and technology aesthetics provided support fur perfect expression and alienation effect. Ahhough documentary aesthetics is not mainstream, it still stands for a irreplaceable power.