摘要
易卜生的《群鬼》在不足24小时的剧情中展现了一个家庭悲剧。该剧的核心伦理事件即海伦苦心修建的阿尔文上尉孤儿院化为灰烬,从法国回来的儿子欧士华变为白痴,而连接所有事件的却是早已死去10年的父亲阿尔文。父亲身体的缺场与其象征物的在场交替出现是整个剧情的伦理线,而孤儿院的大火既是剧情的高潮,也是对所有伦理结的解构。海伦的伦理困境既引领着人们对伦理责任与"生活的乐趣"的思考,又揭露了鬼一样的社会环境与制度对个人与家庭的毒害。
Ghosts by Ibsen presents a family tragedy with a plot of no more than twenty four hours. The major ethical events of the play are the burning into ashes of the orphanage named as Alvin Captain and the turning into idiot of Oswald, the son. The dead father, however, absent or present in the play, is the ethical line stringing all the events. The flaming fire in orphanage climaxes the play and unties all of the ethical knots. Helen＇ s ethical predicament pushes people to ponder over the choice between duty and ＂enjoy of life＂ as well as the evil of social institutions which caused the family tragedy.
出处
《山东外语教学》
2015年第4期80-87,共8页
Shandong Foreign Language Teaching
基金
国家社科基金重大项目"文学伦理学批评:理论建构与批评实践研究"(项目编号:13&ZD128)
国家社科基金项目"美国伦理批评的历时发展及其演变研究"(项目编号:12CWW004)的阶段性成果
国家留学基金项目支持(项目编号:201308420435)
