辛亥革命后的常锡滩簧

Changxi Tanhuang after the Revolution of 1911

辛亥革命后,常州和无锡的滩簧演出经过艺人和进步观众的抗争而获得了生机。常州出现了"新式滩簧",其内容和形式均与旧式滩簧有别,而在形式方面变化最大的莫过于妇女登台演唱滩簧。无锡滩簧则通过改良,取得了长足进步。

After the Revolution of 1911, the performance of tanhuang in Changzhou and Wuxi revived through the struggle of performers and audience. The new style of tanhuang emerged in Changzhou with different content and form from the old tanhuang. The biggest change is that women performed tanhuang on the stage. Wuxi tanhuang achieved considerable progress through improvement.