摘要
电影《黄金时代》和传记文学都塑造了萧红勇敢追求自由与爱情、性格既坚强又脆弱的女性形象,创作风格独特、富有才华的作家形象以及追求自由的漂泊者形象。但由于两者艺术样式不同、形象塑造的主体及时代背景不同,《黄金时代》中的萧红形象存在革命女性形象缺失、形象模糊破碎不完整、萧红形象塑造片面等问题。《黄金时代》在丰富了萧红形象的同时,创作过程中也存在主观情感过分介入、对萧红私生活过度消费、对其文学作品的艺术价值和创作心理关注不够等现象。
Both the movie The Golden Era and biography literature have shaped the image of Xiao Hong as a female writer featured by the courageous pursuit of freedom and love, strong but also fragile personality, distinctive writing style and profound literary talent, and as a rover in the pursuit of freedom. Due to the differences in the artistic forms, subjects of image building and historical backgrounds, Xiao Hong' s image built in the movie has some defects including the lack of female revolutionary image as well as the incomplete and blurred image. Although the movie has enriched the image of Xiao Hong, its creation is accompanied by too many subjective emotions, excessive consump- tion of Xiao Hong' s private life and less concern for the artistic value and the writing psychology of its literary work.
出处
《扬州教育学院学报》
2015年第2期1-6,共6页
Journal of Yangzhou College of Education
关键词
萧红形象
传记文学
《黄金时代》
image of Xiao Hong
biography literature
The Golden Era