马头琴制作工艺的田野调查——以布和的马头琴制作工艺为例

The Fieldwork of Morin khuur's Craftsmanship——Take Bu He's Craftsmanship for Example

马头琴是近些年风靡内蒙古的一件传统民族乐器,其深沉的音色与悠扬的旋律折服了海内外的听众。因而,近年来与马头琴生产、销售、展演的一些行业也"火"了起来。其中,特别是马头琴的制作工家、作坊在内蒙古许多地区纷纷建立起来,融入到马头琴文化的产业当中。因而,笔者深入到其中一家规模较大的马头琴厂,进行了系列跟踪调查。从中我们发现,当代马头琴的制作工艺,一方面使马头琴及其艺术全面进入市场化的运作体系,另一方面,也逐渐将制作者与乐器在感情依存上进行了剥离。

Morin khuur is popular in recent years in Inner Mongolia, a traditional ethnic Musical Instruments. Its deep timbre and melodious melody impressed the audience at home and abroad. As a result, Morin khuur craftsmanship, the sale and landscaping industry develop rapidly. Among them, the most notable Morin khuur craftsmanship industry development. The author deeply into one of the larger Morin khuur factory, conducted a series of follow-up. From which we found that, on the one hand, the modern Morin khuur craftsmanship has been included in the art of Morin khuur market system; on the other hand, the market-oriented way also gradually to maker and instruments in emotional dependence on the strip.