摘要
满族女诗人匡文留在三十多年的诗歌创作中,以独特的民族诗学探索取得骄人实绩,其诗既延续上世纪80年代西部诗的阳刚奇崛,又形成以民族风情入画、民俗生活入骨、民族史入诗的诗学风尚,探索"行走的诗学"创作旨趣,诗作结合地域文化、民族风情、民俗事象抒情叙事,具有民族诗学新品格,体现了民间文学的诗歌化与民族诗学的美学化倾向。
In her 30 years' poetic creation,Kuang Wenliu,Manchu poetess,achieved significant success in national poetics. Her works integrated both the tough elements in western poems of the 1980 s and national customs,folk life and nationality history,exploring purport of 'walking poetics'. Combining regional culture,national customs,and folk custom,Kuang Wenliu narrated and expressed in a new character of national poetics,reflecting the tendency of poetic of folk literature and aesthetics of national poetics.
出处
《西华大学学报(哲学社会科学版)》
2015年第5期33-37,共5页
Journal of Xihua University(Philosophy & Social Sciences)
基金
贵州民族大学科研基金资助项目
校科研2014(09)号
关键词
匡文留
民族诗学
民俗事象
地域文化
Kuang Wenliu
national poetics
folk custom
reginal culture