宋燕肃《春山图》辨伪

Lnquiry into The Hand Scroll Titled Chūnshān Tú(Spring Mountain) Attributed to Yan Xiao of The Song Dynasty

故宫博物院藏《春山图》卷一直被归于北宋燕肃名下,但自入藏以来,就其是否确为北宋真迹,始终存在争议。基于此,本文在学界对作品已有的研究基础上,重新梳理《春山图》的流传经过,并对卷后题跋内容及作者归属、鉴藏印位置及真伪以及图像所呈现的时代风格依次予以考察辨析,尝试从多个角度探讨《春山图》中存在的疑点及所暴露的破绽,以此推断《春山图》并非北宋燕肃真迹。最后,作者将此图与《右军书扇图》相联系,通过对验二图类似的伪题、伪印,探究今日所见《春山图》的形成时间和制作缘由。

The debates continue about the authenticity of Chūnshān Tú(Spring Mountain) in hand scroll which is attributed to Painter Yan Xiao of the Song dynasty ever since it entered the collection of The Palace Museum. Based on the research results, circulation, postscript, attributor of the work, positions and true-or-false identification of the seals and signature in the painting as well as the era style of the composition, this essay probes into the questionable and weak points of the painting from different perspectives and deduced that this Chūnshān Tú(Spring Mountain) is wrongly attributed to Yan Xiao of the Song dynasty. By the way, the issues as for when and why this painting was produced are also discussed in this essay with comparison and contrast of the close postscripts and seals between the hand scrolls of Chūnshān Tú and Yòujūnshūshàn Tú.