明清文学园林植物构景的“阴阳”结构探微

Study on “Yin-yang”Structure of Landscape Planting in the Garden of Ming and Qing Literature

明清时期造园兴盛,同时也出现了文学园林这一特殊的园林形式。通过以《将就园记》《琅嬛福地》《乌有园记》这类虚构园林短文以及《红楼梦》《金瓶梅》这类"小说园林"为范本,共时性的探讨明清文学园林中植物构景的"对偶"与"四时"形式,揭示背后所隐含的"阴阳"对立与转换关系,剖析文学园林中植物造景的"阴阳"结构,透析隐藏在文学园林背后深层的古典造园艺术范型。

During the period of Ming and Qing dynasties, private gardens were flourishing. At the same time, garden of literature, regarded as a special form of garden appeared. Based on Jiangjiu Yuan Ji, Langhuan Fu Di, Wuyou Yuan Ji and the so-called ＂novel garden＂ like Dream of the Red Mansionsand Chin Ping Mei, this paperanalyzes the structure of ＂anti- thetical parallelism＂ and ＂four seasons＂ of landscape planting in the garden of literature, dissecting dual antithesis and transfer structure of ＂yin-yang＂ hidden in the gardens of literature. The purpose of this paper is to study the Chinese gardening artistic paradigm embodied in the garden of literatureby analyzing the ＂yin-yang＂ structure.