摘要
《圣经》是西方文学的两大源头之一,奥古斯特·斯特林堡深受其影响。斯特林堡依托保罗归主的故事创作了表现主义戏剧的开端之作——《通往大马士革之路》。在这部戏剧中,作者对于《圣经》中语言意象的引用比比皆是,在《圣经》视野下重新审视奥古斯特·斯特林堡这部著作,主人公"无名氏"既是一个现实中的小人物,又是该隐、雅各、上帝,戏剧的主题同时具有表现主义文本和宗教蕴含的双重意义,假借保罗归信的圣经故事,写出了人们对于灵魂归宿的不懈追求,是对苦苦挣扎的世人一种启示与鼓励。
The Bible is one of the two major sources of Western literature. Relying on the story of Paul, August Strindberg created the first expressionism drama: The road to Damascus. The author used many images in The Bible. The protagonist in The road to Damascus is a small potato in the real life, at the same time Cain, Jacob, and the God. The road to Damascus not only has thematic significance of expressionism but also has the meaning of reli- gion. Relying on the biblical story of Paul, it expressed the untiring pursuit of the soul fate, which is an inspiration and encouragement for the struggling people.
出处
《湖北文理学院学报》
2015年第9期73-76,共4页
Journal of Hubei University of Arts and Science