摘要
从20世纪80年代的先锋创作到90年代的平实写作,再到新世纪的狂欢书写,余华作品中的女性书写存在着一条鲜明的变化曲线——由单一向多元化的转变。这一变化曲线既展现出余华对在男权社会中艰难"受活"的女性群体的深度观照,又显现出他作为男性,带着复杂情感置身于两性间,对女性及其合理人性的反思与追问。余华超越性别意识寻求两性平等对话的努力,无疑会给新世纪女性主体意识的建构带来启示。
From the 80s pioneer creation to 90s plain writing, and then to the new century' s carnival writing. There exists a distinct change curve from single to multiple transformation. This curve not only shows YU Hua' s deep reflection on women who lived in the male dominated society, but also shows, as a male,he standing between the sexes to thinking and questioning women's rational hu- man nature. His efforts to surpass the gender consciousness for gender dialogue, undoubtedly can brings the enlightenment to the con- strnetion of female subject consciousness in the new century.
出处
《忻州师范学院学报》
2015年第4期19-22,共4页
Journal of Xinzhou Teachers University
关键词
余华
女性书写
变化
两性对话
YU Hua
female writing
change
gender dialogue