摘要
该文将塚本的XS和库哈斯的L所体现出的立场差异,置于XL的都市语境进行比对解读,表达了对"东京制造"和"疯狂纽约"两种大都市状态引出的对立批判性理论的深入思考,由此展开对上海的都市语境的分析。上海当代都市语境实质上是XS与L的混合和断裂,具有在世界城市中鲜明的独特性,是建筑研究的基础,建筑学也必将承担修复都市空间断裂的使命。最后,文章回到建筑学的原点,探讨在该语境下,建筑设计如何回应本体性和社会性之间的关系。
This article puts the perspective differences embodied in Atelier Bow-Wow's "XS" buildings and Koolhaas's "L" buildings in the city context for comparison interpretation to express deep thinking on the two opposing critical theories from these two metropolitan states of "Made in Tokyo" and "Delirious New York". If also combines with the "Made in Shanghai" to analyze the context of Shanghai and architecture should help to mend such fracture caused by modern urban planning. Finally the paper goes back to the origin of architecture to discuss coupled investigation of ontolo.qies and sociality of architecture in the city context.
出处
《华中建筑》
2015年第10期11-14,共4页
Huazhong Architecture
关键词
上海当代都市语境
塚本由晴
库哈斯
东京制造
疯狂纽约
Shanghai city context, Yoshiharu Tsukamoto, Rem Koolhaas, Made in Tokyo, Delirious New York