论清末民初引书入画思潮与景德镇程门陶瓷世家的兴衰

Theory of the Thought of Bringing Calligraphy to Painting and the Rise and Fall of Chengmen Ceramic Family in the Late Qing Dynasty and the Early Republic of China

清末民初浅绛彩文人瓷画的兴衰在景德镇陶瓷艺术发展史上具有重要的研究价值。浅绛彩文人瓷画的兴衰归根结底是当时引书入画思潮的审美文化所致。程门陶瓷世家的兴衰是浅绛彩文人瓷画兴衰的集中体现。研究程门陶瓷世家的兴衰,可以明晰近现代陶瓷艺术发展的规律。这对于当今陶瓷绘画艺术家传承和创新传统陶瓷艺术有着重要的启示。

The rise and fall of literatus＇ porcelain painting in shallow purple color in the late Qing Dynasty and the early Republic of China is with great research value in the history of ceramic art in Jingdezhen. Ultimately, the rise and fail of literatus＇ porcelain painting in shallow purple color is caused by the thought of bringing calligraphy to painting of the aesthetic culture at that time. The rise and fail of Chengmen ceramic family is fully embodied by the rise and fail of literatus＇ porcelain painting. We can know the rules of the development of the modem ceramic art clearly by studying the rise and fall of Chengmen ceramic family, which has important enlightenment on today＇ s inheritance of ceramic artists and innovation of traditional ceramic art.