汉剧杨家将戏剧目探析

Analysis of Han Opera Yang Jia Jiang

明末清初,杨家将戏剧随着梆子、皮黄戏进入湖北等地,在诸腔杂陈、众班争胜的氛围下流行于汉水流域,因其剧本内容雅俗共赏,形式灵活,品类众多,适宜唱演的特点,成为汉剧舞台常演剧目。伴随着汉剧艺人广泛与各剧种,特别是向京剧学习交流,使汉剧表演艺术得到了改进和发展。至今,汉剧从不同角度拓展杨家将戏的表现方面。又因其故事彰显的忠孝节义精神、民族精神为各代所追捧,因此成为汉剧历史题材和英雄传奇故事系列经典剧目之一。

In the late Ming and early Qing dynasties, the drama Yang Jia Jiang together with the Bangzi opera and the Pihuang drama entered Hubei and became popular in the Hart River Basin in the competitive atmosphere of various dramas and operas. As its content suits both refined and popular tastes, Yang Jia Jiang, in flexible form and different types, is suitable for singing and performance, and thereby has become Han Opera stage repertory. When Han Opera artists widely communicate with and learn from other dramas and operas, especially Beijing Opera, Han Opera performing arts have been improved and developed. Thus the performance of Yang Jia Jiang has been expanded from different angles. Because it manifests the spirit of filial piety and the national spirit, admired by all generations, Yang Jia Jiang has become one of classical repertoire series of Han Opera historical themes and heroic legends.