明末清初诗僧担当和尚的休闲美学

Leisure Aesthetics of Monk Dandang in the Late Ming and Early Qing Dynasties

明末清初云南诗僧担当的诗文所表现出来的思想意识与当代休闲美学理论颇有契合之处。他具有与世俗不同的休闲观念,并对休闲的本体价值有着自觉的认识。他的休闲工夫着重心志调节的顺情与复性两个方面,并在境域取舍方面引导人们走向栖隐之境、游览山水之境、融入人伦之境。他的休闲载体是酒、茶、书、画等高雅之物。他的休闲境界既遁世又谐世,既安贫乐道甘于寂寞,又圆融通达与人同乐,并具有某种程度的超越。他的休闲审美范畴可以概括为闲旷和闲逸。担当的这些休闲观念与实践对构建当代休闲时代与和谐社会具有一定的积极意义。

In early Qing dynasty, the ideas comes from Yunnan Monk Dandang＇ s works have similarities with modern theory of leisure aesthetics. He has leisure concepts which are different from secular world and has a conscious understanding of the ontological value of leisure. His leisure approaches focus on adaptation and renaturation of minds and let people to live in seclusion to enjoy landscapes, but he also . tends to enjoy the human environment as well. His takes wine, tea, calligraphy and painting as his elegant leisure carriers. He lives out of the world but he is also in harmony with the world. He is contented in poverty loneliness, but he still has fun with others, and shows his transcendence beyond the world as well. His leisure aesthetic category can be summarized as free open and otherworldly. His leisure ideas and leisure practice has positive significance to the construction of modem leisure time and harmonious society.