谷崎润一郎短篇小说语言的绘画性

On the Painting Nature of Junichirou Tanizaki's Short Novel Language

作为日本耽美派的代表作家,谷崎润一郎在其短篇小说中以色彩词和描述两种方式体现小说语言的绘画性。与此同时,文学语言的绘画性又使谷崎短篇小说具有文学读图性,如此使原本抽象化的语言符号在文学图像的作用下具有直观化和形象化的特点,将非视觉性的文字表意转变为视觉性的图像表意,形成语言与图像的互文。这种建立在文学图像基础上的语言特点打破了传统叙述的局限性而使谷崎短篇小说具有现代性特征。

nature of novel As a representative writer of slash school in Japan, Junichirou Tanizaki displays the painting language by color words and descriptions in his short novels. Meanwhile, literary language makes his short novels read as pictures. Therefore, the original linguisti the painting nature of c signs have the characteristic of visualization, which translates the non -- visual signs into visual pictures, forming the intertextuality of languages and images. This linguistic feature based on literary pictures breaks the limitation of traditional narrative, thus it makes Junichirou Tanizaki＇ s short novels have the feature of modernity.