摘要
山西永乐宫三清殿壁画《朝元图》,其饱满而富有张力的形体造型、连绵宏大的构图方式、沉稳流畅的线条表现、富丽辉煌的颜料色彩,具有鲜明的艺术特征。《朝元图》画法显然传承了唐代吴道子释道人物壁画的艺术精华,整幅壁画以线条勾勒为主,渲染填彩为辅,兼施以沥粉贴金,显示出元代画工们绘制壁画的高超画艺与技法,它是中国古代美术史中具有里程碑意义的典范作品。
Chaoyuan Painting in Sanqing Hall, Yongle Palace of Shanxi Province, is distinguished for its plump figures, uninterrupted compositions, steady lines and gorgeous colors. The painting patterns have inher- ited the essence of murals on Taoist characters. The whole painting is mainly composed of lines, supplemented by rendering colors and gilded with gold, which represents the skillful and mature techniques of painters in the Yuan Dynasty. Therefore, it is a typical milestone in the history of ancient Chinese arts.
出处
《湖南科技大学学报（社会科学版）》
CSSCI
北大核心
2015年第4期144-149,共6页
Journal of Hunan University of Science and Technology(Social Science Edition)
基金
南通大学校人文社科研究资助项目(13040376)
关键词
永乐宫
《朝元图》
艺术特征
Yongle Palace
Chaoyuan Painting
artistic features
