电影中的“自由间接引语”及其引发的主体冲突

Free Indirect Discourse in Cinema and the Resulted Conflict of Subjects

叙述是语言的实践形式之一,欧洲叙述学研究发现了＂自由间接引语＂这一语言现象。经典叙述学探究了现代小说中运用这一语法现象所表达的双重主体关系,后经典叙述学则把整部小说都视作隐含作者转述的一段巨大引语。以此宏大叙述观之,一部影片就是导演转述的一段巨大引语,而作者电影,则是自由间接引语式的影片,导演主体性在影片中与人物的主体性争夺发言权。

Narrative is one form of language practice, and European narratologists have studied a feature known as ＂ free indirect discourse＂. Classic narratology explores the nature of the double subject as expressed by ＂ free indirect discourse＂ in the modern novel. Whilst postclassical narratology regards a novel as a great quotation relayed by the implied author, from the perspective of grand narrative, a film is a great quotation relayed by the director. However, author films feature free indirect discourse. In this kind of movie, there is competition between the subjectivity of the director and the actor.