摘要
梅尧臣诗歌的体裁分布极具特点:五言古诗最多,五言律诗次之。前期五律比例大,后期五古比例大。七言诗相对较少,仅占总量的四分之一,且多集中在后期。五律适合梅尧臣的才性,是其成功进军诗坛的体裁;五古更符合他的性格和兴趣,是其用力最多、赖以安身立命的体裁;七言诗是他成名之后用于酬唱的体裁,有利于他纠前期之偏,真正融入诗坛主流队伍之中。
The stylistic distribution featured heavily in Mei Yaochen’s poetry:the ancient five-character poetry accounts for the largest proportion,and the five-character rhythm poetry comes second.The ancient fivecharacter poetry took large proportion at the earlier stage,while the five-character rhythm poetry at the later stage.The number of seven-character poems was relatively small,only accounting for a quarter of all his poems,written mostly at the later stage.The five-character rhythm poetry fitted Mei Yaochen’s talent and characteristics,widely known as a style that successfully led him into the poetry world.The ancient fivecharacter poetry was more suitable for his personalities and interests,a style for which he made great effort,settled down and pursued for.The seven-character poetry was a style used to write responding poems for his friends when he became famous,which was beneficial for him to correct his partiality at his early stage and integrated into the majority of poetry world.
出处
《安徽师范大学学报(社会科学版)》
CSSCI
北大核心
2015年第5期646-654,共9页
Journal of Anhui Normal University(Hum.&Soc.Sci.)
关键词
梅尧臣
诗歌
体裁
Mei Yaochen
poetry
style