梅花诗的发展及张道洽的梅花诗创作

Development of Chinese Plum Flower Poems And Zhang Daoqia's Ereation of Chinese plum Flower Poems

首先介绍了梅花诗的发展历程,梅花从先秦时期注重它的果实即实用功能,发展到魏晋时期对梅花审美功能的发现初露端倪,再到宋朝文人士大夫注重梅的形态内涵即注重梅的品格象征寓意,经历了一个漫长的发展过程。宋朝这一审美象征功用的发现是梅花发展史上梅花意象发生转变的关键时期,很多文人士大夫生发出对梅花的喜爱,进而形成独特的文人梅花情结。张道洽作为南宋末期的诗人,以300余首的梅花诗获封"梅花诗人"。在内容上,题材多样,有岭梅,千叶梅,照水梅,瓶梅,墨梅,寻梅,折梅,嗅梅,仿梅,忆梅;在艺术上,清洁,平和,随意而发真情,但又不免单调,重复。

From the pre--qin period to wei j in dynasty to the song dynasty in Chinese history, great importance was attached to Chinese plum flower＇s fruit and practical function, aesthetic function and the moral character symbol, The discovery of the symbol of aesthetic function in the song dynasty history was the key period of the image shift of Chinese plum flower. The love of Chinese mei blossom formed the unique Chinese plum flower complex. Zhang Daoqia, the late southern song dynasty poet, wrote more than 300 poems of Chinese plum flower and won the title of ＂ Chinese plum flower poet＂. In content, his topics were diversified, ,including Ling mei, Qian ye mei, ZhaoShui mei, Ping mei, MoMei, Xun mei ,Zhe mei ,Xiu mei, fang mei,Yi mei; in art, his creation was clean, flat, free and truthful , but unavoidably monotonous and repeated.