摘要
本文通过对大地湾、原子头等遗址出土的一类特殊彩绘图案的解读,确认了早期彩陶中广泛存在的"斜向轴对称"构图法和"阴阳组合"的构图思想;同时又通过对该构图法和构图思维在中国早期彩陶文化中产生、传播等情况的研究,解决了彩陶科研历史中多年未决的"人面鱼纹含义"、"马家窑类型舞蹈纹盆内涵"、"石岭下层鲵鱼图案意义"、"庙底沟类型繁复图案构图方式"等诸多的特殊难题。
Through the interpretation of a kind of special colored drawings unearthed from Dadiwan site, Yuanzitou site and so on, the picture-composition mode of 'oblique axial symmetry' and the picture-compo- sition thought of ' combination of Yin and Yang' , both of which are widely found in the early painted pottery, are confirmed. And the study of the generation and propagation of such picture-composition mode and thought in Chinese early painted pottery culture leads to the solution of many difficult problems in the academic history of painted pottery, which are unsolved for many years, such as ' the meaning of the fish design with human mask' , ' the meaning of basin of dancing design, Majiyao type' , ' the meaning of the design of giant sala- mander, Shilingxia type' , ' picture-composition method of complicated pattern, Miaodigou type' and so on.
出处
《中原文物》
CSSCI
北大核心
2015年第5期51-67,共17页
Cultural Relics of Central China
关键词
大地湾
原子头
特殊彩绘
斜向轴对称
阴阳组合
Dadiwan
Yuanzitou
special colored drawings
oblique axial symmetry
combination ofYin and Yang
difficult problems in academic history