摘要
对现代玻璃艺术产生的社会根源和思想根源进行简要梳理,并将现代玻璃艺术的美学特征与超现实主义绘画的隐喻世界进行比较分析,以弗洛伊德精神分析学说、柏格森的直觉主义为先导,从玻璃物性,创作方法、表现形式及艺术本质等多个角度审视对象,浅谈现代玻璃艺术中所显现出诗意言说的隐喻,与超现实主义的隐喻世界有共鸣之处。
This paper is to briefly summarize the social and mind origin of the contemporary glass art and surrealism painting, and it is to conclude their creation methods and aesthetic characteristics. In addition, this paper is to compare and analyze the aesthetic characteristics of contemporary glass art and the metaphorical world of surrealistic paintings. The key point of the paper is to first take advantage of these theories: the Freud's psychoanalytic theory, Nietzsche's philosophy of pessimism, Bergson's intuitionism and Zen Thought. Meanwhile, this paper is to analyze the object from these angles: properties of the glass, methods and manifestation of creation and the essence of modern glass art. This helps us to get the conclusion that the metaphor poems in the modem glass art resonate with the metaphor world of surrealism.
出处
《玻璃》
2015年第9期41-52,共12页
Glass
关键词
现代玻璃艺术
超现实主义
梦幻
诗意
隐喻
Contemporary glass art, Surrealism, Dreamy, Poetical, Metaphor