摘要
当代谍战题材电影运用"陌生化"、"奇观化"、"反其道而行之"等叙事手法和理论,反映"黑暗世界里的蝙蝠式生活",迎合了观众好奇和猎奇的心理。这类影片试图突破原先主题先行的叙事策略,更多地关注影片叙事的内在张力和影片的娱乐本质。
Contemporary spy films used narrative techniques and theories, such as "strange" and "spectacle", "opposite" and soon, reflected the "dark world of bat-style life", in order to meet the audience curious and psychological adventure. Such films tried to break narrative strategy of the original the me oriented, payed more attention to the narrative inner tension of the film sand the essence of entertainment.
出处
《铜仁学院学报》
2015年第5期84-86,共3页
Journal of Tongren University
关键词
谍战片
叙事
视听语言
主题
Spy films, narrative, audio-visual language, theme