论20世纪80年代“影戏”理论的建构与悖反

On the Construction and Antinomy of the“Shadowplay”Theory in the 1980s

"影戏"理论是新时期以来中国大陆学界提出的最具标志性也是最有争议性的电影理论观念。从学术史的视野对"影戏"理论的提出及其相关论争展开讨论,在回溯"影戏"为何在20世纪80年代复活,又如何转换生成为一个具有争议性的电影学术史事件的基础上,可以发现在80年代特殊的历史语境下,其理论提出本身具有建构性与悖反性的特征。

＂Shadowplay＂ theory has been the most landmark and controversial film theory put the mainland academic circle since the new age. This paper explores the proposal of the ＂ Shadowp forward by lay＂ theory and related debates from the perspective of academic history. Based on the recall of why ＂shadowplay＂ was reignited in the 1980 s and how it was transformed into a controversial event in the film academic history, the paper points out that given the unique historical context of the 80s, the proposal of the theory was constructive in itself and possessed the feature of antinomy as well.