摘要
乐器改革是现代民族乐队发展的瓶颈,民族乐器的不完善直接导致了乐队功能的缺陷和表现力的缺失,这其中包括低音乐器的最终定型,所有乐器形制的定型,所有声部间的融洽协调等。我国的民族乐器改革始于上世纪初,四川音乐学院在这方面走在全国的前列,形成了一批乐器改革的成果。
Musical instrument reform is the bottleneck to the development of the national orchestra. Faulty tradition- al instruments would impair the expressiveness of the orchestra and limit its functions, including finalizing the design of bass musical instruments and coordinating all sections of the orchestra. Musical instruments reform in China started at the beginning of the last century, and Sichuan Conservatory of Music has taken the lead and made distin- guished achievements in this area.
出处
《音乐探索》
2015年第4期14-19,共6页
Explorations in Music
基金
2014年四川音乐学院校级科研课题"四川音乐学院民族乐器改革的历史及现状"(CY2014022)
关键词
十孔笛
双千斤二胡
二胡系列高音区音质音量的改良
民族低音拉忽雷
双腔葫芦埙
三圆琴
sound volumeGourd-shapedTen-holed Bamboo Flute
Wide Range Erhu (Double Looping Cord)
improvement to of high pitch register of Erhu
Lahulei- the National Bourdon Stringed Instrument
Xun
the San-yuan Violinthe tone and Dual-Cavity