唐英戏曲的舞台化与通俗化转向——以清唐英戏曲集《古柏堂传奇》为例分析

Study of the Stage Show and the Popularization of Tang Ying's Opera in Qing Dynasty——Taking Legend of Gubotang as an Example

唐英戏曲从审美角度而言,处于中国戏曲雅化成糜之末期,俗中藉雅之初期。具有转向性的唐英戏曲,兼俱通俗化与舞台化的转向特征,通过对唐英戏曲的主体观照和对其"承前"的溯源与"启后"的把握,得出观众接受与舞台呈现两个要素必将成为戏曲艺术永葆魅力之基石。

From the aesthetic perspective, Tang Ying＇s opera was created during the end of excessive elegance and the beginning of combination of vulgarity and refinement. The opera by Tang Ying could be both shown on the stage and easily understood. With the a- nalysis of the origin and the evolution of Tang Ying＇s opera in my thesis, I drew a conclusion that the performance on the stage and the acceptance of the audiencewould be most favorable foundation for the eternal charm of the opera.