《易传》与中国传统美感之构建

Yi Zhuan and the Construction of Traditional Chinese Aesthetic Experience

《易传》在中国传统审美思想上的重要意义日渐发现。《易传》的"天人合一"不单是政治—伦理性的,它还具有显明的审美之维。萌发于殷周之际的"人文"精神为后来的《易传》"三才观"和"天人合一"准备了理论条件。《咸》卦描述的男女阴阳感应是天人感应的基本模式,阴阳两两相感,最终上升到"天人合一"。以感通论为主要内容的"天人合一"为中国传统审美思想所推崇的生生之美、太和之美构筑了哲理基础。

At the beginning of 20th century, Chinese academic community gradually knew that Yi Zhuan is important to the traditional Chinese aesthetic experience. The unity of heaven and humanity explained in Yi Zhuan is not only political-ethical, but also aesthetic. The humanity spirit sprang up at the turn of Yin and Zhou Dynasties, which created the theoretical conditions for the notion of Three Life Forces and Unity of Heaven and Humanity. The response between man and woman described by Xian Hexagram is the basic model of response between heaven and humanity — response to communication, from two to one, finally ascending the unity of heaven and humanity. As such, the unity of heaven and humanity lays a philosophical foundation for the beauty of becoming and the beauty of great harmoniousness.