摘要
"清"、"空"在张炎词作中有着不同的呈现方式,二者分别有着道家与佛家思想的质素,"骚雅"作为一种带有儒家色彩的词学范畴,在一定程度上矫济了"清"、"空"的疏弊。"骚"、"雅"作为两种不同的文学思想与传统,其间有着复杂的互动与互渗关系,"骚雅"决定了姜夔词的独特抒情方式,也塑造了姜夔狷洁的文化人格,对后世词学创作与词学思想均有重大影响。
Clearing and emptiness are reflected in the prose by Zhang Yan,which stand for Daoism and uddhism respectively. Worries and elegance carry the color of Confucianism, filling in the blank of the earing and emptiness, founding the lyric style and cultural personality of Jiang Kui,and yielding great in- uences upon later prose writers.
出处
《河北师范大学学报（哲学社会科学版）》
2015年第5期64-72,共9页
Journal of Hebei Normal University(Philosophy and Social Sciences)
关键词
清空
骚雅
张炎
姜夔
词学思想
clearing and emptiness
worry and elegance
Zhang Yan
Jiang Kui
poetic idea
