摘要
从"安史之乱"以后唐代社会对西域音乐的批判,可以窥知西域音乐在唐代社会的流行程度,而按时间顺序概括各个时期其流传的不同特点,又可以发现西域音乐在唐代流传的最大特点是"创新",这种创新主要体现在对那些源自西域音乐的唐乐府曲调的改造上,由此西域音乐完全融入中国传统文化之中,并在唐代乐府文学中绚灿盛开,成为中国古代文学史中一道亮丽的风景。
We could know about the epidemic degree of Western Regions Music in Tang Dynasty through analyz- ing the criticism and introspection made by the society of Tang on it after An Lushan Rebellion. And after summa- rizing the different characteristics of it in different periods according to the time sequence, we also could find that the most important characteristic of Western Regions Music which is so popular in Tang Dynasty is innovation. The most part of the Western Regions Music had been digested and absorbed by Chinese culture and integrated in- to the society of Tang, existing with bright scenery.
出处
《北京化工大学学报(社会科学版)》
2015年第3期57-61,共5页
Journal of Beijing University of Chemical Technology(Social Sciences Edition)
关键词
西域音乐
唐代乐府体系
过程
特点
Western Regions Music
Yuefu System in Tang Dynasty
process
characteristic