摘要
"气"是中国古代哲学、美学、文艺学的元范畴,它是万物的本体、生命的本源。艺术不能离开"气",艺术家要表现"气",艺术也要展现"气",最终与天地之"气"相化合而进入"天人合一"的境界。形成于当代的播音主持艺术创作可以从我国古代"气"论中吸收养分,一方面,"气"是作为"此在"的播音主持创作主体存在的根源,是播音主持有声创作的物理前提;另一方面,"气"还是播音员、主持人人格美、个性美的内核。
The Qi, as the ontology of all things, is the meta- category of philosophy and aesthetics of ancient China. The art cannot leave the Qi, and artists and the art must express the Qi. The modern broadcasting and host art should absorb nutrients from the theory of the Qi. For one thing, the Qi is the ontology of broadcaster and host and physical basis of the vocal creation, and for another, the Qi is the core of the personality beauty and individual beauty of broadcaster and host.
出处
《绵阳师范学院学报》
2015年第9期144-147,共4页
Journal of Mianyang Teachers' College
基金
上海市教委重点资助项目"中国现代美学方法论"(11zs48)
华东师范大学2014年"优秀博士学位论文培育行动计划"资助项目(PY2014007)
关键词
播音主持艺术
中华美学精神
气
声韵美
人格美
broadcasting and host art, Chinese aesthetic spirit, Qi, sound beauty, personality beauty