自我与时代的心史——重读《雪落在中国的土地上》兼及艾青的诗歌意义

Mind History of Ego and Era:Rereading "Snow Falling onto Chinese Land" and Ai Qing's Poetic Meaning

"文革"后的诗歌史,艾青的地位呈现明显下滑趋势。这主要关联其诗歌特点与时代风尚的不一致:艾青诗歌强烈的时代和群体色彩及以抒情为中心的艺术风格,与当前诗歌界流行的个人性和知性特点存在较大冲突。但其实,艾青诗歌不是空洞群体思想的回声,而是将自我心灵与时代精神融为一体,其时代声音中贯注着诗人真实的感情和感受。而且,抒情诗歌与知性诗歌各有所长,并不适合简单地臧否与取舍。艾青的名作《雪落在中国的土地上》典型体现出艾青诗歌的特色,具有不可忽略的历史地位。

As a poet,Ai Qing＇s prestige obviously glided down in the poetic history after Cultural Revolution,which resulted from the inconformity between his poetry and the prevailing vogue：Ai Qing＇s arts style in the poetry with strong era and group color as well as lyrics as the center largely conflicted with the current poetic individualism and in-tellectuality at that moment.As a matter of fact,Ai Qing＇s poems were not the ego of the hollow group,but the fu-sion between ego soul and era spirit.And the era of sound concentrated on poet＇s real feeling and motion.What＇s more,both lyric poetry and intellectual ones had their own advantages,which was not proper to comment and to take or reject.Ai Qing＇s masterpiece＂Snow Falling onto Chinese Land＂typically performed his writing features in poetry, and its historic status was non-ignorable.