摘要
"辻花染"是盛行于室町时代的扎染技术,曾一度备受推崇,但随着"友禅染"的出现,逐渐失去了光环,久保田一竹20岁时因着迷于一件"辻花染"的小裂,而产生了复兴这种技术的想法,经过近30年的研究,创作出以富士山、四季、山海,宇宙等为主题的作品,也奠定了"一竹辻花染"的独特基调。
Tsujigahana, a popular fie-dye, was favoured in Japanese Muromachi period. But with the appearance of Yuzen, it lost its crown.ltchiku Kubota was fascinated by the pattern of a Tsujigahana when he was 20, so he intended to revive it. Through 30 years' research and creation, his works, the theme of Mount Fuji and the four seasons made the ItchikuTsujigahana as a unique tone in tie-dye history.
出处
《上海工艺美术》
2015年第3期90-91,共2页
Shanghai Arts & Crafts