摘要
中国古典诗歌中的"寒山"意象渊源于《楚辞》,魏晋诗赋的加工初步确立了"秋冬季节寒冷之山"的基本含义;唐代诗人们的艺术锤炼让其定型且具有了摇曳多姿的外在形态,隐逸诗人、禅僧们的诗歌理念及创作,特别是寒山子生命历练与诗歌书写合而为一的艺术行为拓展了该意象"禅境象征"的深层内涵。对唐诗中"寒山"意象数据统计基础上的文本考察为把握意象与意境、诗境与禅境的关系提供了一个独特视角。
The poetic imagery of Cold Mountain in classic Chinese poetry originated from Elegies of the South ,the processing in Poems and Rhapsodies in Wei and Jin Dynasties established its basic meaning ：the cold mountain in Autumn and winter;the artistic refinement by poets in Tang Dynasty finalized it＇s colourful external form;the poetic idea and writing of reclusive poets and zen monks ,especially Hanshan＇s artistic behavior which combine life experi-ence with poetic writing expanded its deep implication as the symbol of zen state .The text review based on statistics provides a special perspective to understand the relationship between image and artistic conception ,poetic state and zen state .
出处
《西安文理学院学报（社会科学版）》
2015年第4期38-43,共6页
Journal of Xi’an University(Social Sciences Edition)
基金
江苏师范大学人文社会科学研究基金重点项目:"接受美学视野中的寒山诗域外传播研究"(10XWA05)的阶段性成果
关键词
寒山
意象
意境
诗境
禅境
Cold Mountain
poetic imagery
artistic conception
poetic state
Zen state
