摘要
20世纪90年代,马来西亚华文报纸与华文文学因缘际会,推进了新生代文学的整体性崛起与快速发展。效忠与待遇的不对等、"我被我自己的国家排斥"的无限失望纠缠在一起,使得新生代文学"抵抗"得生动而深刻。在华文报纸提供与策划的"舞台"上,新生代作家用汉语文字演绎着心灵的悲欢,用坚实的身影"舞蹈"出"告别"后的抵抗。这种执意反抗与无奈妥协的复调主题,艰辛与悲情兼具的文学"表演"风格,不仅呈现在当时的新生代文学之中,更呈现在过去与当时的"老生代"文学之中,而且,还会出现在将来的马来西亚华文文学之中。
In 1990s, the Chinese papers and Chinese literature in Malaysia working together result in the rising and fast development of the new-generation literature. The disil- lusion caused by the discrimination by their own country despite of their loyalty to it made the resistance of the new-generation literature vivid and profound. The Chinese papers in Malaysia provided a stage where the writers of new generation could express their feelings and resistance in Chinese. The polyphonic themes of resistance and resignation, the hardship and sadness, however, existed in the past Chinese literature in Malaysia and will continue to exist in the future.
出处
《中国比较文学》
CSSCI
北大核心
2015年第4期127-136,共10页
Comparative Literature in China
关键词
1990年代
马华报纸
新生代文学
the 1990s
Chinese papers in Malaysia
new-generation literature
