摘要
朝鲜朝燕行使臣李窅既敬佩顺治帝的勇武精神与豪俊气象,又恐惧其残暴与气狭性暴的性格。在他笔下,顺治被十分细腻地刻画成为"暴狞"、"荒淫自恣"的清帝形象,同时也描绘出其具有"力学中华"、"慕效华制"、"专厌胡俗"清帝形象的一面。如上的顺治形象,既是一种客观描述的结果,也是一种有意"文化误读"的产物。
Li Yao, the Choson envoy to Yenching, describes the image of Qing Emperor Shunzhi in his travel notes The Journey to Yenching. In his writing, Shunzhi is depicted subtly as a ＂fury＂ and ＂licentious＂ Qing Emperor; yet he is also described as a Qing Em- peror of ＂trying to learn from China＂ and ＂admiring and imitating Chinese system＂ as well as ＂particularly hating Manchu＇s customs＂. This shows that, on one hand, Li Yao ad- mires Emperor Shunzhi＇s courage and chivalrousness, and on the other hand, he fears Em- peror Shunzhi＇s tyrannical, narrow-minded and irascible character. Therefore, the image of Emperor Shunzhi in Li Yao＇s travel notes is not only the consequence of objective descrip- tion but also the result of the intended cultural misunderstanding.
出处
《中国比较文学》
CSSCI
北大核心
2015年第4期171-183,共13页
Comparative Literature in China
基金
"长白山学者"奖励计划项目
项目编号为2013052
教育部人文社会科学重点研究基地重大项目"朝鲜朝至近代韩国的中国体验文学与日本体验文学的比较研究"
项目编号为10JLDGJW003
关键词
李窅
顺治帝形象
文化误读
Li Yao
the image of Emperor Shunzhi
cultural misunderstanding
